Producers were quick to blame the Peak TV phenomenon for stretching the talent pool for below-the-line, craft and technical crew positions well beyond the breaking point. “It’s easy to get into a false sense of complacency of ‘Oh we’ve done this a million times.’ ” “You live in this fantasy land where you’re fake shooting people and blowing things up,” says Harris, of Atlanta-based Harris Lowry Manton, who also represented the family of “The Walking Dead” stuntman who died of a head injury on set in 2017.
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“Films are the byproduct of the comprehensive tax planning strategies we employ for our clients.”Ĭomplacency: Many producers and crew members have been working at the kind of high volume and pace that can breed a sense of complacency and over-confidence in key positions.Īttorney Jeff Harris, who represented the family of Sarah Jones, the camera assistant killed in 2014 in a horrific accident on the set of indie movie “Midnight Rider,” said that in his experience accidents are often the result of complacency about requirements to follow safety bulletins and protocols for dangerous activities.
“We have developed new financial models to attract capital that would otherwise be unavailable to the film industry,” Salveson told Variety in 2017. Streamline Global co-founders Emily Hunter Salveson and Ryan Donnell Smith serve as executive producer and producer, respectively, on “Rust.” Industry sources cite inherent problems that can occur when goals and incentives among producers are not aligned. Among the seven production entities listed as backing “Rust” was Streamline Global, a company founded in 2017 to use films produced with production tax incentives as vehicles to create tax breaks for wealthy investors. Inexperience among producers: The low barrier to entry in producing for streamers who pay production costs upfront has allowed smaller companies and startups to attempt large-scale productions without adequate staff, skills or equipment.
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